Презентация на тему "Visual arts"

Презентация: Visual arts
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  • Презентация: Visual arts
    Слайд 1

    Visual arts

    Painting, printmaking, sculpture, applied arts

  • Слайд 2

    Contents

    Painting (types) Printmaking Sculpture Applied arts

  • Слайд 3

    General

    The visual arts are art forms that create works which are primarily visual in nature, such as ceramics, drawing, painting, sculpture, printmaking, design, crafts, and often modern visual arts (photography, video, and filmmaking) and architecture.

  • Слайд 4

    Painting

    Painting is the practice of applying paint, pigment, color or other medium to a surface (support base) Paintings may have for their support such surfaces as walls, paper, canvas, wood, glass, lacquer, clay, leaf, copper wall – стена paper – бумага canvas – холст wood – дерево glass – стекло lacquer – лак clay – глина leaf – лист copper – медь

  • Слайд 5

    Techniques

    Oil painting Oil painting is the process of painting with pigments that are bound with a medium of drying oil—especially in early modern Europe, linseed oil linseed oil – льняное масло

  • Слайд 6

    Mona Lisa, Leonardo da Vinci, c. 1503–06

  • Слайд 7

    Self portrait, at work, Anders Zorn, 1897

  • Слайд 8

    The Blue Boy, Thomas Gainsborough, 1770

  • Слайд 9

    Tempera, also known as egg tempera, is a permanent fast-drying painting medium consisting of colored pigment mixed with a water-soluble binder medium (usually a glutinous material such as egg yolk or some other size) Tempera

  • Слайд 10

    Madonna and Child by Duccio, tempera and gold on wood, 1284, Siena

  • Слайд 11

    Raphael, Tempera and gold on wood, 1503–1505

  • Слайд 12

    Gouache Gouache, the name of which derives from the Italian guazzo, water paint, splash or bodycolor (the term preferred by art historians), is a type of paint consisting of pigment suspended in water

  • Слайд 13

    Self-portrait, Friedrich Schwinge

  • Слайд 14

    Pastel Pastel is an art medium in the form of a stick, consisting of pure powdered pigment and a binder. The pigments used in pastels are the same as those used to produce all colored art media, including oil paints; the binder is of a neutral hue and low saturation medium – средство stick – карандаш binder – связующее вещество hue – цвет, оттенок saturation - насыщенность

  • Слайд 15

    On the Cliff by Theodore Robinson, 1887

  • Слайд 16

    La Toilette (Woman Combing Her Hair), c. 1884–1886, pastel on paper, by Edgar Degas, Pushkin Museum, Moscow

  • Слайд 17

    Rosalba Carriera. Self-portrait of Italian painter Rosalba Carriera holding a portrait of her sister. 1715. Pastel on paper. Galleria degli Uffizi, Florence

  • Слайд 18

    Indian ink India ink (or Indian ink in British English) is a simple black ink once widely used for writing and printing and now more commonly used for drawing, especially when inking comic books and comic strips

  • Слайд 19

    Tenshō Shūbun (ТенсёСюбун) Reading in a Bamboo Grove (1446)

  • Слайд 20

    Sesshū Tōyō (Сэссю Тоё) Huike Offering His Arm to Bodhidharma(1496)

  • Слайд 21

    Indian ink Fresco Fresco (plural either frescos or frescoes) is any of several related mural painting types, executed on plaster on walls, ceilings or any other type of flat surface mural – стенной, настенный executed on – выполняемый на surface – поверхность

  • Слайд 22

    Fresco by Dionisius representing Saint Nicholas in a Ferapontov Monastery

  • Слайд 23

    Fresco in the church MariäVerkündigung in Fuchstal, Bavaria, Germany from Thomas Springe

  • Слайд 24

    Fresco-secco Fresco-secco (or a secco or fresco finto) is a fresco painting technique in which pigments ground in water are tempered using egg yolk or whole egg mixed with water which are applied to plaster that has been moistened (using this temper) to simulate fresh plaster technique – техника, метод temper – смешивать egg yolk– яичный желток moisten –увлажнять, смачивать

  • Слайд 25

    Blue Monkeys No. 34 fresco Steve Bogdanoff

  • Слайд 26

    Scratchboard Scratchboard or scraperboard is a technique where drawings are created using sharp knives and tools for etching into a thin layer of white China clay that is coated with black India ink drawing – рисунок sharp knife (knives) – острый нож (ножи) tool– инструмент etching –гравирование layer – слой clay – глина coat – покрывать

  • Слайд 27

    Scratchboard illustration for WigWag Magazine by Bill Russell

  • Слайд 28

    Grisaille Grisaille is a term for painting executed entirely in monochrome or near-monochrome, usually in shades of grey. It is particularly used in large decorative schemes in imitation of sculpture grisaille – гризайль shade –тень, оттенок

  • Слайд 29

    Christ and the Woman Taken in Adultery, Pieter Bruegel the Elder, 1565, 24 x 34 cm.

  • Слайд 30

    Battesimo Della Gente, one of Andrea del Sarto's gray and brown grisaille frescoes in the Chiostro dello Scalzo, Florence (1511-26).

  • Слайд 31

    Carnation In heraldry, carnation is a tincture, the colour of European (Caucasian) human skin (i.e., pale pinkish peach) carnation – карнация tincture – оттенок pinkish – розоватый heraldry - геральдика

  • Слайд 32

    Coat of arms of Limoges, Franc

  • Слайд 33

    Glaze Glazes can change the chroma, value, hue and texture of a surface. In oil painting, the simplest form of a glaze is a thin, oily, transparent layer of paint spread over the top of an opaque passage that has been given some time to dry. glaze – лессировка chroma – цветность value – яркость, насыщенность texture – воспроизведение текстуры, структуры изображаемого предмета transparent layer – непрозрачный пласт Spread over – нанесённый на Opaque – непрозрачный, матовый Passage –пассаж (место на картине)

  • Слайд 34

    Pointillism Pointillism is a technique of painting in which small, distinct dots of pure color are applied in patterns to form an image pointillism – пуантилизм distinct dots – отдельные точки pure – чистый (без примесей) pattern – модель, шаблон image – изображение

  • Слайд 35

    Detail from Seurat's La Parade de Cirque (1889), showing the contrasting dots of paint used in pointillism

  • Слайд 36

    Paul Signac, Femmes au Puits, 1892, showing a detail with constituent colors

  • Слайд 37

    Vincent van Gogh, Self Portrait, 1887, using pointillist technique.

  • Слайд 38

    Sfumato Sfumato literally means "gone up in smoke". Hence Sfumato has also been used to describe the ability to hold two paradoxical ideas in one's mind without difficulty sumato – сфумато gone up in smoke –исчезающий как дым

  • Слайд 39

    Detail of the face of Mona Lisa showing the use of sfumato, particularly in the shading around the eyes.

  • Слайд 40

    Encaustic painting Encaustic (which also goes by "hot wax painting") is an ancient technique. The artist heats beeswax to the liquid stage, then mixes in pigmentation. The resulting medium is applied to a surface (typically wood) encaustic painting – энкаустика wax – воск heat – разогревать beeswax – воск liquid stage – жидкое состояние mix –смешивать

  • Слайд 41

    A 6th-century encaustic icon from Saint Catherine's Monastery, Mount Sinai

  • Слайд 42

    Fayum mummy portrait of a Roman woman

  • Слайд 43

    Aquarelle Watercolor (US) or watercolour (UK and Commonwealth) is a painting method. A watercolor is the medium or the resulting artwork in which the paints are made of pigments suspended in a water-soluble vehicle watercolor – акварель artwork – художественное произведение water-soluble vehicle –водорастворимый материал

  • Слайд 44

    Albrecht Dürer, Young Hare, 1502, watercolor and body color, Albertina, Vienna

  • Слайд 45

    Thomas Girtin, Jedburgh Abbey from the River, 1798–99, watercolor on paper

  • Слайд 46

    Drybrush Drybrush is a painting technique in which a paint brush that is relatively dry, but still holds paint, is used drybrush (dry brush) –сухая кисть

  • Слайд 47

    An example of the drybrush technique using black acrylic paint on illustration board

  • Слайд 48

    Acryl painting Acrylic paint is fast drying paint containing pigment suspension in acrylic polymer emulsion. Acrylic paints can be diluted with water, but become water-resistant when dry acryl painting – акрил suspension – взвешенное состояние, суспензия acrylic polymer –полиакрилат emulsion – эмульсия dilute (with) – разбавлять, разжижать water-resistant – водостойкий dry – сухой

  • Слайд 49

    Detail of acrylic painting showing finishes that resemble both oil and watercolor

  • Слайд 50

    Mixed media Mixed media, in visual art, refers to an artwork in the making of which more than one medium has been employed Mixed media art by Doren Robbins

  • Слайд 51

    Printmaking

    Printmaking is the process of making artworks by printing, normally on paper printmaking – графика print – печатать, получать оттиск

  • Слайд 52

    Woodcut Woodcut—occasionally known as xylography—is a relief printing artistic technique in printmaking in which an image is carved into the surface of a block of wood, with the printing parts remaining level with the surface while the non-printing parts are removed, typically with gouges woodcut – гравюра на дереве xylography –ксилография relief – рельеф carve – вырезать gouge – долото, стамеска

  • Слайд 53

    Ernst Ludwig Kirchner, Portrait of Otto Müller, 1915

  • Слайд 54

    Engraving Engraving is the practice of incising a design on to a hard, usually flat surface, by cutting grooves into it engraving – гравюра, эстамп incise – вырезать cut – резать groove – паз, вырез

  • Слайд 55

    Hercules fighting the Centaurs, engraving by SebaldBeham

  • Слайд 56

    Etching Etching is the process of using strong acid or mordant to cut into the unprotected parts of a metal surface to create a design in intaglio in the metal etching – офорт strong acid – крепкая (концентрированная) кислота mordant – протрава* intaglio – глубокая печать *Протрава - (закрепитель краски), в процессах окрашивания - химические вещества, взаимодействующие с красителем или окрашиваемыми тканями, или с обоими, для «закрепления» красителя на ткани, в результате чего краска практически не вымывается.

  • Слайд 57

    Christ Preaching, known as The Hundred Guilder print; etching 1648 by Rembrandt

  • Слайд 58

    Mezzotint Mezzotint is a printmaking process of the intaglio family, technically a drypoint method mezzotint – меццо-тинто drypoint –сухая игла (техника гравирования на металле, не использующая травление, а основанная на процарапывании острием твердой иглы штрихов на поверхности металлической доски)

  • Слайд 59

    Sunshine V, mezzotint by Peter Ilsted

  • Слайд 60

    Aquatint Aquatint is a method of etching a printing plate so that tones similar to watercolor washes can be reproduced aquatint – акватинта tone – тон, оттенок watercolor washes – акварельные краски reproduce – воспроизводить

  • Слайд 61

    The Sleep of Reason Produces Monsters‎, Francisco Goya (1799)

  • Слайд 62

    Drypoint Drypoint is a printmaking technique of the intaglio family, in which an image is incised into a plate (or "matrix") with a hard-pointed "needle" of sharp metal or diamond point hard-pointed needle – остро заточенная игла diamond point – алмазный наконечник

  • Слайд 63

    Woman in Cafe, drypoint by Lesser Ury showing the typical rich blurred line of drypoint.

  • Слайд 64

    Lithography Lithography is a method for printing using a stone (lithographic limestone) or a metal plate with a completely smooth surface lithography – литография stone – камень limestone – известняк smooth surface – гладкая поверхность

  • Слайд 65

    Charles Marion Russell's The Custer Fight (1903). Note the range of tones, fading toward the edges

  • Слайд 66

    Screen printing Screen printing is a printing technique that uses a woven mesh to support an ink-blocking stencil screen printing –трафаретная печать woven– сотканный mesh – сеть, сетка stencil – трафарет, шаблон, образец

  • Слайд 67

    Portrait of Leo Tolstoy

  • Слайд 68

    Monotyping Monotyping is a type of printmaking made by drawing or painting on a smooth, non-absorbent surface monotyping – монотипия draw (drew, drawn) – рисовать non-absorbent –непоглощающий

  • Слайд 69

    Monotype by Jules Henri Lengrand

  • Слайд 70

    Sculpture

    Sculpture is three-dimensional artwork created by shaping or combining hard materials—typically stone such as marble—or metal, glass, or wood except when softer ("plastic") materials can also be used, such as clay, textiles, plastics, polymers and softer metals or when the term has been extended to works including sound, text and light sculpture – скульптура three-dimensional – трёхмерный shaping – формирование combining – комбинирование marble – мрамор textile – ткань

  • Слайд 71

    Michelangelo Moses, (c. 1513–1515), housed in the church of San Pietro in Vincoli in Rome. The sculpture was commissioned in 1505 by Pope Julius II for his tomb

  • Слайд 72

    A Liao Dynasty polychrome wood-carved statue of Guan Yin, Shanxi Province, China, (907–1125 AD)

  • Слайд 73

    King Zygmunt Vasa column in Warsaw, Poland

  • Слайд 74

    Applied arts

    Applied art is the application of design and aesthetics to objects of function and everyday use. The applied arts incorporate design and creative ideals to objects of utility, such as a cup, magazine or decorative park bench. There is considerable overlap between the field and that of the decorative arts; to some extent they are alternative terms Types: Art deco (Ар-деко варианты: ар деко, артдеко, арт-деко) Art Nouveau(Модерн) Arts and crafts (Движение искусств и ремёсел)

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